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Leverage your beatbox technique with Nazca

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  1. 0.1 - Introduction

  2. 1 - Develop your drum kit

    1.1.1 - Kick Drum
  3. 1.1.2 - Inward Kick Drum
  4. 1.1.3 - Kick Roll (aka Triple Kick)
  5. 1.1.4 - Fat Kick (aka Pash Kick)
  6. 1.1.5 - Dry Kick
  7. 1.2.1 - Closed hi-hats
  8. 1.2.2 - Opened hi-hats
  9. 1.2.3 - Hi-hat Rolls
  10. 1.2.4 - Dry Hi-hat
  11. 1.2.5 - House Hi-hat
  12. 1.3.1 - Labial Snares (PF Family)
  13. 1.3.2 - Outward K Snare (Palate)
  14. 1.3.3 - Outward K Snare (Classic)
  15. 1.3.4 - Outward K Snare (Duck)
  16. 1.3.5 - Inward K Snares (Simple, Double & Multiple)
  17. 1.3.6 - Inward K Rimshots (Simple & Double)
  18. 1.3.7 - Inward Peh Snare
  19. 1.3.8 - Spit Snare
  20. 1.3.9 - Triple Spit Snare
  21. 1.4.1 - 808 Kick & Snare (aka Two H Kick & Snare)
  22. 1.4.2 - WaWad's 808 Snare
  23. 1.4.3 - Inward K Snare (Clickroll)
  24. 1.4.4 - Inward Tonal K Rimshot (inspired by Bookie Blanco, PACMax, Nazca)
  25. 1.4.5 - Cough Snares
  26. 1.4.6 - Fish Snares
  27. 1.4.7 - Dish Snare
  28. 1.4.8 - Clicks (Tongue & Uvula)
  29. 1.4.9 - Tongue Clap (inspired by WaWad, Scouilla)
  30. 1.4.10 - Inward Drags
  31. 1.4.11 - List the sounds that you have
  32. 2 - Understand Time subdivisions
    2.1.1 - Time Subdivision - Theory
  33. 2.1.2 - Time Subdivision - Practice
  34. 2.1.3.1 - Time Subdivision - Exercice - 80 bpm - Repeat after me
  35. 2.1.3.2 - Time Subdivision - Exercice - 80 bpm - No guidance
  36. 2.1.3.3 - Time Subdivision - Exercice - 100 bpm - Repeat after me
  37. 2.1.3.4 - Time Subdivision - Exercice - 100 bpm - No guidance
  38. 2.3.1 - Hip Hop Patterns
  39. 2.3.2 - Breakbeat Patterns
  40. 2.3.3 - Trap Patterns
  41. 2.3.4 - Dubstep Patterns
  42. 2.3.5 - Drill Patterns
  43. 2.3.6 - House Patterns
  44. 2.3.7 - Reggaeton Patterns
  45. 2.3.8 - Metal Patterns
  46. 2.3.9 - Rock Patterns
  47. 2.3.10 - Funk Patterns
  48. 2.3.11 - DnB & Jungle Patterns
  49. 2.3.12 - UK Grime Patterns
  50. 2.3.13 - Dancehall Patterns
  51. 2.4 - Create your own vocabulary
  52. 2.5 - Method to keep timing
  53. 3.1 - Method 1 - Variate sounds
  54. 3 - Seven Methods to diversify your beatbox
    3.2 - Method 2 - Variate time subdivisions
  55. 3.3.1 - Method 3 - Play with silences
  56. 3.3.2 - Silence Exercice - 80 BPM - Repeat after me
  57. 3.3.3 - Silence Exercice - 100 BPM - Repeat after me
  58. 3.4.1 - Method 4 - Swing
  59. 3.4.2 - Swing Exercice - 80 BPM - Repeat after me
  60. 3.4.3 - Swing Exercice - 100 BPM - Repeat after me
  61. 3.5.1 - Method 5 - Breaks
  62. 3.5.2 - Triplet Breaks
  63. 3.5.3 - 16th note Breaks
  64. 3.5.4 - Sextuplet Breaks
  65. 3.5.5 - 32th note Breaks
  66. 3.5.6 - 32th note Triplet Breaks
  67. 3.6 - Method 6 - Modularity work
  68. 3.7 - Method 7 - Combine methods
  69. 7.1.1 - Classic Lip Roll
  70. 7.1.2 - Inward Sub-bass Lip roll
  71. 7 - Special Tutorials
    7.1.3 - Lip Roll Distortions
  72. 7.1.4 - Hollow Lip Roll (Classic & Inward)
  73. 7.2 - Click Roll & Variations
  74. 7.3 - Top Notch Hi-hat Techniques

Participants 4

    Leverage your beatbox technique with Nazca 3.1 – Method 1 – Variate sounds
    Lesson 53 of 74
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    3.1 – Method 1 – Variate sounds

    Nazca 15 October 2023

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